UrduFonts.com is the largest online repository, which provides high-quality Urdu fonts. Each font in our collection is a carefully selected, tested and made available for free.
UrduFonts.com is the largest online repository, which provides high-quality Urdu fonts. Each font in our collection is a carefully selected, tested and made available for free.
In the ever-changing digital world, impactful visual communication holds as much weight as your intended message. Even if your message is elaborate enough to cover all the details that a reader or audience needs to know, if it’s not serving visually, there’s a chance viewers may skip it. Especially for Urdu content creators, selecting the picture-perfect typeface plays a defining role in conveying professionalism and leaving a lasting impression. Discover a handpicked collection of 28 thin Urdu fonts, each with its own unique charm. Forget about the stuffy, condensed fonts that make your text look grumpy. These fonts are key to enhancing your Urdu text’s visual appeal. Whether it’s for social media posts, business presentations, or creative endeavors, these fonts are eye-pleasing and make your content comprehensible.
But you might be thinking, why focus on thin or sleek fonts? Well, bold or decorative fonts are used to highlight some crucial details, like in headings, book covers, or more. We cannot use such fonts for a long textual passage as it would be difficult to read for prolonged reading. For extensive text blocks, we need a font that is easily understandable, clear, and less complicated. A font having all these qualities will enhance screen legibility and positively affect overall readability. The fonts we are going to describe below have all these characteristics to make your boring texts look easier and more welcoming with their minimalistic charm.
Read more about 35 Bold Urdu Fonts You Can Use for Titles & Headings
Urdu, with its Perso-Arabic script is a sophisticated writing system. Even in its simplest form, it does not fail to offer grace to your text. However, choosing a perfect style can further increase its visual appeal and ability to convey your message in a proper way. Before moving directly to the thin and stylish Urdu fonts, let’s take a look at their attributes and what impact they have on your text.
We have arranged thin Urdu fonts into 4 categories to make it easier to pick according to your design requirements. Each set has its own appearance, style and feel of typeface.
Here is our careful collection of sleek and slender but Elegant fonts, which make your Urdu texts sophisticated with their delicate letterform and add a touch of personality to it.
| Sr | Font | Designer | Appearance |
|---|---|---|---|
| 1 | Swissra (Thin) | Ali Almasri | Regular Arabic face, rounded, and well-balanced |
| 2 | Doran (Thin) | Fereshte Iranshahi & Reza Bakhtiarifard | Wide Qalam, clear, uncluttered |
| 3 | MB Sarem Mohsin Kingrai | Sanaullah Mangnejo Sarem | Thin Sindhi display, well-proportioned, monospaced |
| 4 | Portada ARA (Thin) | Veronika Burian & Jose Scaglione | Modern, clear, legible, warm |
| 5 | SF Arabic (Thin) | Apple | Highly legible, inspired by Naskh with a modern touch |
| 6 | Noto Sans Arabic UI (Thin) | Nadine Chahine | Simple, readable, cross-platform compatible |
| 7 | GE Dinar Two | Mourad Boutros | Contemporary, professional, clean lines |
| 8 | Dubai W23 Light | Nadine Chahine et al. | Modern, versatile, clean strokes |
| 9 | Mada | Khaled Hosny | Modern, minimalist, low contrast |
Swissra is a regular Arabic font with a subtle roundness, giving it a lighthearted feel. Although it’s a versatile font family, our focus here is on its thin variant or weight, Swissra (thin). It is influenced by the Swiss graphic style and designed by an Arabic font developer, Ali Almasri. With its clear and uncluttered letterforms, the font can be utilized for formal writing in newspapers, documents, and more. The font offers constant thickness throughout the letterform with a visible stroke that increases its legibility and makes it easy to read. This elegant font is streamlined with a compact baseline, giving it a modern feel.
Doran is a diverse Qalam writing Persian font with symmetrical letterforms, promoting readability with useful aesthetics. Two respected Iranian font designers, Fereshte Iranshahi and Reza Bakhtiarifard, designed this versatile typeface family. The font offers a clean appearance with no extra embellishments to complement your designs. Doran is an all-purpose font with six different weights or styles. However, its bolder weights have a more calligraphic feel than the Doran light. It offers soft and blunt corners, with thin strokes and monospaced letters, increasing the font readability. It can be used for regular body text, branding, formal writing, etc.
MB Sarem Kingrai is a thin or sleek Sindhi font with well-aligned letterforms. Designed by famous Sindhi font designer Sanaullah Mangnejo Sarem, this font has a streamlined appearance with evenly spaced letters. MB Sarem Kingrai is a delicate font with consistent thickness throughout, increasing its readability and appeal on digital platforms. Its solid stroke with horizontal emphasis and a compact baseline further add an elegant effect to its modern style. What makes this font attractive is its modern composition with hints of Sindhi culture, smooth curves, and rounded zero spacing. It is best for writing long texts and other applications, including posters/flyers, branding, documents, etc.
Portada Arabic is a contemporary Arabic font family with 10 different weights and styles. Designed by Veronika Burian and Jose Scaglione, this font offers a clear appearance and is highly legible even in constrained digital prints or designs. Its formal appearance increases its appeal and usage in print and digital media, particularly for long textual blocks or clear-screen use. It offers even letter spacing with constant thicknesses and solid and impactful strokes, even in lighter weights. Therefore, such font can be utilized in applications where impact is required with readability.
SF Arabic is a regular-style Arabic face font family with a neat outlook. Designed by Apple Inc. in the early 2000s, this display font offers high-screen legibility. Because of its easy to read letterforms, this font has been used in Apple devices and displays. Although it is not a calligraphic font, it is inspired by the Naskh scripting technique with a modern touch. The font is designed to be flexible and space-efficient and so easily fits in vertically compressed interfaces. However, its use is somewhat restricted as according to the Apple Inc. license, the font can only be utilized for modeling UI’s for software applications that based on Apple’s iOS, macOS, iPadOS, or tvOS.
Noto Sans Arabic UI (Thin), developed by Google, is a sleek and minimalist sans-serif font designed for modern, clean design applications. Designed by Nadine Chahine and the Monotype Design Team, this font has subtle curves at the letter junctions and terminals, which soften the overall appearance and add a touch of elegance. The thin weight provides a delicate and refined look, making it ideal for use in sleek, minimalistic designs. Its constant thickness with stable strokes offers the font a modern or futuristic appeal. The thin weight of Noto Sans Arabic UI ensures clarity and readability, making it suitable for body text where a light and airy feel is desired.
GE Dinar Two Light, designed by Mourad Boutros, offers a refined and elegant look with clean lines and sharp angles. This lightweight version of the GE Dinar Two font family has a consistent thickness and minimal decoration, giving off a modern and professional aesthetic. It’s straight strokes, and open counters increase readability. Moreover, the consistent stroke weight of this font adds stability and clarity to the text. GE Dinar Two Light is perfect for long editorial texts, where its clarity and elegance can enhance the reading experience. Plus, its light and airy design makes it perfect to be used for user interfaces, where readability cannot be compromised.
Dubai W23 Light, designed by Nadine Chahine and the Monotype Design Studio, offers a sleek and refined look. This lightweight variant features clean strokes and a minimal design, giving your text a soft yet polished appearance. Its consistent thickness throughout the letterforms and lack of decorative elements contribute to a contemporary and professional outlook. The neat and refined design of Dubai W23 makes it well-suited for plain body text, focusing on readability and offering elegance in your everyday formal writing. Available in 4 different weights, this font family is preferred by designers because of its smooth composition with evenly distributed letters.
Mada is a modern Arabic font family with 8 different weights, designed by Khaled Hosny and inspired by Cairo’s road signs. The Arabic part of the font has low descenders, open curves, and simple shapes, making it great for signs, small text, and user interfaces. Also, it works well as a display font with its clean, modern style. The typeface does not use high contrast like other fonts. It offers a slight difference between thick and thin strokes, giving it a clean and modern look. The letters are spaced slightly wider than usual, making it easy to read. Moreover, the letters have rounded corners and sharp edges, giving the font a playful yet polished appearance. With its readability and attractive design, Mada Light can be used for magazines, brochures, and other long editorial layouts.
This category of fonts belongs to those who want a stylistic feel to their text in the design projects. All of the below-mentioned fonts have a unique appearance with one thing in common, which is their thickness. These fonts are sleek and slender, with decorative elements adorning their appeal. These fonts are preferred to be used for design purposes rather than formal writings. Let’s have a look at these:
| Sr No. | Font Name | Designer | Appearance |
|---|---|---|---|
| 1 | Rawafed Zainab | Tareq Alizzy | Regular curly, thin, and delicate strokes, elegant |
| 2 | Al Qalam Ubaid | Al Qalam | Decorative, highly cursive, elongated curly terminals, stylish |
| 3 | Muslimah Light | ZakDesign | Thin geometric, small decorative serif at the ends |
| 4 | Sarem Naseer | Sanaullah Mangnejo Sarem | Regular stencil hollow, extensive character set, high legibility |
| 5 | Toyor Al Janah | ZakDesign | Playful, elegant, thin ink-style, irregular cursive forms, rounded curves |
| 6 | DG Gaded | Hossam El Deen Ahmed | Wide, geometrical, sharp angles, rounded zero spaces, clear appearance |
| 7 | Xebec Unicode | Syed Manzar Hasan Zaidi | Dotted or tracing Urdu font with monospaced letters |
| 8 | Ara Ahrar | Zakariya Saleh & Abdullah Aref | Resembles barbed wire, unique, thin font with decorative elements, delicate strokes |
| 9 | AlQalam Irzan | Al Qalam | modern, stylish Urdu font with geometric letterforms that have a distinct artistic feel. |
You may also like: List of 25 Stylish Urdu Fonts That Will Make Your Urdu Designs Trendy
Designed by Tareq Alizzy, Rawafed Zainab is a decorative font with delicate strokes that curl gracefully, forming a curly typeface. It has beautifully designed ends with fragile letterforms. Unlike some decorative fonts that can be difficult to read at small sizes, this font maintains excellent legibility. It has a streamlined or geometric appearance and a mono-spaced structure. Moreover, it has beautiful round dots, large negative spaces, and subtle variation in stroke thickness, being thicker in the middle and tapering towards the ends. This makes it a perfect choice for many applications, from formal invitations to some other creative artworks.
Al Qalam Ubaid is a soft Qalam writing font characterized by its highly smooth nature and slightly slanted terminals. With its roundness and blunt corners, this font adds personality to any design project. Drawing inspiration from modern styles with a hint of Diwani influence, this font displays a unique and stylish aesthetic. The font’s thin yet dynamic strokes contribute to its elegance, and with monospaced letters, it promotes readability. There is a subtle softness in its letterforms, giving it a natural feel. It is ideal for design applications where a light-hearted feel is needed, such as cloth branding, advertising, invitations, and gift cards.
Muslimah Light is a slim and wide Arabic face typeface designed by ZakDesign font foundry, having small decorative serifs at the ends. It has a streamlined appearance with relatively large and circular zero spaces, adding a modern feel to your design. The wavy feel near the ends makes this font more appealing and a perfect choice for design projects that need a delicate, welcoming feel. Such font can be used to create beautiful wedding invitations, brochures, and posters. You can also use this font for your business branding for the products that need an artistic touch.
Sarem Naseer is a Sindhi font having regular stencil or hollow font with thin letterforms, offering a decorative and modern appeal. Its characters are made of half-thin lines and half-hollow letters. It is not a calligraphic font; still, it has a mild influence from Arabic scripting techniques with a modern touch. You can use this font in your artistic projects like logos, tech designs, posters, and social media advisements. Unlike other decorative hollow fonts, this one has intricate design details, which makes the text hard to read, especially at smaller sizes. Therefore, it is preferred to be used for short-text applications only.
Designed by ZakDesign, Toyor Al Janah is a playful Arabic font with a thin ink-style appearance. Drawing inspiration from natural handwriting, the font features irregular cursive forms, rounded curves, and curly terminals with a distinct tilt that gives it an almost Italic quality. The font’s delicate strokes and consistent thin thickness make it suitable for short texts, although readability may decrease at smaller sizes. Despite this, the font’s playful appeal remains intact, enhanced by its untidy aesthetic and large circular negative spaces. Its irregular letter spacing adds to its unusual attractiveness, making it ideal for logos, invitations, creative posters, and book covers.
DG Gaded is a diverse font family with wide and geometric letterforms designed by Hossam El Deen Ahmed, an Egyptian font designer. It has sharp angles and rounded zero spaces adding depth to its design while making a clear appearance. The thickness of this font is constant and is monospaced with rounded edges. DG Gaded is a highly legible font; it is clear and visible even at smaller resolutions. Thus making it perfect for the projects demanding high-screen clarity. Therefore, it can be used in mobile app interfaces, logos, long editorial texts in magazines and books, and more.
Xebec Unicode is a unique dotted or tracing Urdu font designed by Syed Manzar Hasan Zaidi for Axis Softmedia Pvt. Ltd. The font features letters made up of small, uniform circles, giving it a sharp, geometric look. This distinctive design makes Xebec Unicode especially appealing for children’s books and creative projects aimed at young audiences. Despite its unusual appearance, the font remains clear and easy to read, even at smaller sizes or when zoomed in. Therefore, it is the best option for learning Urdu or Arabic writing.
Ara Ahrar is a distinctive stylized font designed to look like barbed wire, giving it a unique and edgy appearance. Created by Zakariya Saleh and Abdullah Aref and released by ZakDesign, the font features small, sharply pointed wire pieces twisted around at short intervals. This design element gives the letters a striking and unusual look, perfect for conveying a caution or prevention message. The font’s thin, delicate strokes and decorative elements add to its cautionary aesthetic. Though its intricate details might pose legibility challenges at smaller sizes. Ara Ahrar’s gentle, blunt corners combined with its thin, pointy edges make it visually appealing, particularly for short textual blocks, signs, and posters.
AlQalam Irzan is a modern, stylish Urdu font with carefully designed geometric letterforms that have a distinct artistic flair. The letters are thin with small, thick dots at the endings. What makes this font more interesting is the double baseline, which gives it a sophisticated feel. The serifs at the ends of its delicate but impactful strokes gracefully extend and swirl, giving the font a unique touch of elegance and visual interest. Moreover, its letters are well-aligned, balanced, and equally spaced, resulting in its high readability. Therefore, such font can be utilized for modern design projects like branding, posters, tech designs, and more.
Our next category of thin fonts is Handwritten Urdu/Arabic typefaces with the charm of natural writing. Such fonts can add a personal touch to the text with their irregularity and dynamic strokes. Let’s have a look at these:
| Sr. | Name | Designer | Font Appearance |
|---|---|---|---|
| 1 | PDMS Pencil Nafees | Kashif Hisam | Thin, smooth curves, irregular strokes, varying letter spacing |
| 2 | Al Fars 6 Kamran | Syed Irtiza Hassan Rizvi | Bold, rounded, smooth, and curved edges, a warm and welcoming feel |
| 3 | Resalaty Arabic | Nur Syamsi | Thin, irregular letters, asymmetrically spaced |
| 4 | Paytakht | Bakri | Classic Persian calligraphy, flowing curves, intricate details |
| 5 | Resalaty | Nur Syamsi & Bustanul A. | Signature style, fashionable handwriting |
| 6 | B Shekari | Omid Moradi (C) | Smooth and flowing letters, elongated and flowing semi-bold letters, rounded edges |
PDMS PencilNafees is a handwritten Urdu typeface with a distinct design, giving the feel of the handwritten text, specifically with pencil, as its name suggests. Kashif Hisam designed this Urdu Nastaliq typeface. It is based on the historic Nastaliq script, which is normally used for writing Persian, Arabic, and Urdu. It is a relatively thin font with smooth curves and edges. What gives this font a natural feel is its varying space among letters and irregular strokes. The thickness throughout is constant, but the flow of each letter is different. It is highly readable but still has very little useability. Therefore, it is mostly used for design purposes rather than writing. It can be used to make engaging social media quotes with a personal touch, greeting or digital signs and logos.
Al Fars 6 Kamran is a rounded, handwritten Arabic font designed by Syed Irtiza Hassan, perfect to add an artistic touch to your boring design. This font features smooth and rounded curves with soft edges, drawing inspiration from traditional Nastaliq and Naskh scripts while including modern design elements. Its irregular, rounded look gives it a warm, welcoming, and natural handwritten feel, making it visually appealing and easy to read. Al Fars 6 Kamran is ideal for various applications, including branding products, book designs, and creative posters, where a touch of natural handwriting is desired. Such fonts are helpful in connecting with the target audience and delivering the message with a perfect cultural background.
Resalaty Arabic Demo is a thin, handwritten Arabic font with a subtle irregularity that makes it look natural. Designed by font designers Nur Syamsi and Bustanul Arifin, this font’s letterforms appear to be made with a sharp-nibbed pen. The letters are untidy and unevenly spaced, giving the font a natural joining hand-writing feel. It is easy to read, offering high legibility, and it has a signature-like professional appearance. The delicate strokes with the distinct appearance of each letter add an airy feel to your text. You can use this font in invitations, branding or logos, and more.
Paytakht is a cursive handwritten Persian font with a flowing letterform. Its curly elongated terminals suggest its inspiration from the traditional Divani script. The characters of the font are made in a way that gives a celebratory vibe with a natural feel. It is designed by the font designer an Iranian font designer Bakri, offering a unique appearance. Paytakht means “capital” in Persian, and this font lives up to its name. It displays the essence of classic Persian calligraphy, with flowing curves and intricate details. The contrasting thickness and fluid strokes make this font more aesthetically pleasing to the viewers. The letterforms of this font are graceful, making it suitable for many design contexts, from invitations to branding.
Resalaty is a party-style handwritten font with delicate and connected letterforms. It was designed by Nur Syamsi and Bustanul A and makes your text look fragile with its soft and irregular curves and long curly terminals. With its signature style, the font allows you to craft creative logos, eye-catching posters, lively wedding invitations, and captivating social media content. The thin strokes with a lack of symmetry in the words give the font not only an airy vibe but also evoke the handwritten charm. Whether you’re working on clothing branding or any other project that requires a unique, handcrafted touch, Resalaty font has you covered.
B Shekari is a visually appealing TrueType Arabic font with smooth, flowing letters and regulated spacing. Designed by font designer Omid Moradi, it features elongated and curly letters that evoke the feel of pen writing. The font has rounded edges at the start and sharp ends with beautiful curves, enhancing its handwritten appeal. Moreover, the slight slant in its lower letters suggests its inspiration from the traditional Nastaleeq calligraphy. The distinct appearance of each letter with a slight condensed feel, adds authenticity to its visual appeal. This makes it perfect for creative applications like logos, branding, prose, and poetry.
For those who want to add a modern and futuristic appeal to their design application can find this list attractive. We have carefully hand-picked these wide, slim fonts, giving off a modern appeal. Such fonts are perfect for tech designs or user interfaces in apps or websites due to their uncluttered and geometric letterforms. Let’s have a look at these:
| Sr No. | Font Name | Designer | Appearance |
|---|---|---|---|
| 1 | Damavand | Naghi Naghashian | Geometric, square-like letterforms, clear and futuristic |
| 2 | Unikurd Rawanduz | Bardaqani et al. | Sleek, wide, professional, inspired by Naskh script |
| 3 | Wahaj | Mostafa EL Abasiry | Thin, rounded, minimal design, elegant |
| 4 | Etlallah Regular | Mostafa El Abasiry | Wide, geometric, well-spaced, sharp angles, elongated terminals |
Damavand is a modern, wide Arabic font with a geometric and futuristic look inspired by the Naskh script with modern influences. Designed by Naghi Naghashian, it features clear, square-like letterforms that create a symmetrical and consistent appearance. Each character has a constant thickness, ensuring strong and impactful strokes throughout making it finest on the list of thin Urdu fonts. Its plain, unembellished design enhances its legibility and adaptability, making it suitable for branding, headings, and body text. Such font can also be used in application interfaces due to its widely spaced letters, offering high readability even in smaller text sizing.
Unikurd Rawanduz, crafted by Bardaqani, Ardawan, and Azad at Kurd IT Group. It is a sleek and wide Kurdish font inspired by the Naskh script, offering a clear appearance with visible horizontal emphasis. Characterized by moderate thickness and delicate strokes, the font maintains legibility and elegance. Its well-spaced letters add an airy quality, enhancing readability. Moreover, there is a slight roundness in its letterforms, giving it a more natural feel. Unikurd Rawanduz is ideal for lengthy texts, branding, advertising, and publications, ensuring consistent appearance and legibility even at smaller sizes.
Wahaj, designed by Mostafa El Abasiry, is a modern Arabic font family that emphasizes beauty and innovation. Named after the Arabic word for “glare,” it features thin, rounded letterforms with minimal design elements. This typeface, with its monospaced and straight-on-line letters, offers a touch of Arabic sophistication with its slim-sharp terminals and circular edges. The font offers a circular letterform; such aesthetics are demanded in logo designs, branding, advertising, and other creative artworks.
Etlalah, another creative font designed by Mostafa El Abasiry, blends modern simplicity with traditional Arabic script elements. Its wide, geometric letterforms with sharp angles and elongated terminals create a unique and contemporary look. Drawing inspiration from geometric shapes and the Kufic script, Etlalah maintains a clean, modern aesthetic. This font, with its futuristic appeal, is ideal for headings, logos, and website navigation, though it may not be as readable for long text passages. Its well-spaced letter formations and generous glyph count enhance its diversity and use across multiple languages.
A font style is like a design-language to deliver your message or pitch your idea with the right tone. Choosing a typeface that not only complements your text but also adds meaning to it is important. Whereas a bold and striking font tells us about the urgency of the message, a thin or regular typeface decides the flow of your communication. All these above-mentioned thin Urdu fonts with different styles have a unique factor that can uplift the true intention of your message while staying cool to the reader’s eye. The weight of a font in formal writing explains the cruciality of the text. Therefore, selecting a font that aligns with the content’s tone ensures your message is delivered with clarity, impact, and the level of formality you want. We gave you an extensive list to choose from, not only for your formal but design projects with various needs. So, choose a font and let your creativity go wild!
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Compatible with most of the software which are of mobile, desktop and websites.
